Stefano's other big plus is his ability to meld art and artifice, fashion and formalism. His staging, for example, was impeccable; as Belgium producer Etienne Russo turned the Grand Palais into a wonderful art installation, where the huge interior space was illuminated by eight 12-foot diameter helium balloons, with the audience perched on cleverly padded all gray bleachers. That said, we were so far from the clothes binoculars would have been useful. His other obsession was the star, which burst over silvery satin dresses, necklaces and belts.
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