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The exhibition at Les Arts decoratifs, which opens to the public on Thursday and runs to April 20, marks Lacroix's 20 years in fashion and makes clear the debt he owes to the past.

"What I wanted to show above all, is that nothing is newly invented and behind every one of my creations, there's something that went before it," he told Reuters on Wednesday.

Les Arts decoratifs, reopened in 2006 after years of neglect, groups art and design from fashion, decoration and advertising.

The exhibition displays creations of Lacroix's alongside hundreds of items he picked out from the museum's own collection of gowns and robes from the 18th century to the 1930s.

"I wanted to give the people who come here -- it could be an old lady who used to work in a couture house, or a young girl who wants to get into fashion or a student working on history -- an unusual choice, a subjective choice of my own," he said.

Chosen according to themes like color or technique, there are sections on the use of white or tartan, favored textures like patchwork or distressed materials or themes such as "Hispanism" or "Liturgy."

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But it wasn't a typical runway show, with live models. Instead, Target used a high-definition video projection for what they termed "the world's first model-less fashion show."

While the holographic projection was too fast-paced and far away to distinguish any of the individual looks from one designer to the next for commuters just casually passing through the terminal's Vanderbilt Hall, where the virtual show was staged, it was nonetheless an eye-catching spectacle.

This isn't the first time Grand Central Terminal has been used for a fashion show. Last year, Chanel and designer Karl Lagerfeld staged a special Chanel resort collection show in the main hall of the station - except theirs, unlike Target's, included actual clothes and live models.